Avery, Milton; Robert Carleton Hobbs — Milton Avery: The Late Paintings

New York Harry N. Abrams, Inc. | American Federation of Arts pp. 112. Square quarto. Publisher's black boards with silver lettering to the spine, and front board. Richly illustrated in colour throughout. Neat ink date to the upper-right margin of ffep else, without blemish; near fine in near fine unclipped dustjacket. ¶ Provenance: From the personal library of the late Gary Essar (1944-2025), noted Canadian art historian, and curator. "The painter Milton Avery is the among the most beloved of American artists. A cool modernist, he is known chiefly for his vividly colored landscapes and intimate scenes of family life. Long overshadowed by Abstract Expressionism, his art has recently begun to be reassessed and its place in the history of modernism restored." "Robert Hobbs explores the development of Avery's painting in this crucial phase and draws insightful connections between it and Wallace Stevens's innovative poetry, written during the same period. This comparison will intrigue devotees of American poetry and American art." "A 1958 essay on Avery by the renowned critic Clement Greenberg, reprinted here, places the artist in the vanguard of an art that unites abstraction and representation, American ingenuity and an international sensibility. Altogether, this book takes a many-faceted approach to the presentation of an exquisite group of artworks."