Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804-1866); Aubert, printer — Jésus! Comment Que Tu Oses Manger Des Champignons! Tes Chamignons, Ma Biche, C'Est Comme Les Homes: Rien Ne Ressemble Aux Bons Comme Les Mauvais"from Les Lorettes: (Courtesans of Paris). First Edition of the Lithograph

Paris: Chez Bauger, Chez Aubert, 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XI from the series: "Les Lorettes." Armelhault and Bocher, no. 773. Les Lorettes described by scholars: MLA citation: Murphy, Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College, 2016....Prostitution was a common social phenomenon that was practiced by women regardless of class, but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes, but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes, imagined and mythologized in various media of the time. The lorette, the aspiring courtesan, was the prostitute of mystery, elusive and secretive, often evading the government's health regulations. The grisette was a prostitute from a working-class background, often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker, was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups, la fille publique was most vulnerable to police repression. And finally, women in "maisons closes" or brothels, catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women, though varying in status, participated in a form of sexual commerce that was common in French society in the 19th century. .