Misrach, Richard; Galindo, Guillermo; Kun, Josh; Shibata, Masami — Border Cantos: Richard Misrach / Guillermo Galindo

New York / Italy, Aperture / Trifolio, 2016. Hardcover. Oblong Quarto. Hardcover. Bound in illustrated paper. 273 pages : illustrations (chiefly color) ; 28 x 34 cm. All texts in parallel English and Spanish. "This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the two-thousand mile border between the U.S. and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos, a multi-faceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol "drag tires," spent shotgun shells, ladders, and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book will include several suites of photographs drawn from a number of distinct series, or Cantos--some made with a large-format camera as well as an iPhone. The book will also contain a compilation of two dozen sculpture-instruments, graphic scores, instrument designs, and links to videos of performances by Galindo on the image-inspired instruments."--Publisher's description. "[Richard Misrach] saw the border, [Guillermo Galindo] heard it, and by coming together across that line of artistic practice, they've now created these 'border cantos.' Misrach has been using the canto literary structure, borrowed from Dante and Ezra Pound, as a way of organizing his long-term photographic project, Desert cantos (1979 to present). But here the canto also moves off the page and into sound, opening up into Galindo's practice. In Italian, canto means 'song'; in Spanish, 'singing' and 'chant.' In this sense, all cantos are part eye and part ear, able to bee seen and heard at once."--Page 10. As new. Inscribed by Misrach.